{"id":58497,"date":"2021-07-19T22:54:29","date_gmt":"2021-07-19T22:54:29","guid":{"rendered":"https:\/\/icolorist.com\/?post_type=course&#038;p=58497"},"modified":"2021-07-19T22:58:58","modified_gmt":"2021-07-19T22:58:58","slug":"ct211-aces-essentials-spanish","status":"publish","type":"course","link":"https:\/\/icolorist.com\/course\/ct211-aces-essentials-spanish\/","title":{"rendered":"CT211: ACES Essentials (Spanish Language Version)"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/icolorist.com\/course\/ct211-aces-essentials\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>English version of this course available. Click here for details.<\/em><\/a><\/p>\n<p>[\/vc_column_text]<div class=\"ult-spacer spacer-69ddb3069e0a9\" data-id=\"69ddb3069e0a9\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text]ACES introdujo una manera f\u00e1cil de trabajar con la m\u00e1s alta calidad, su entorno de trabajo nos permite hacer transformaciones de un espacio de color a cualquier otro de una manera bastante f\u00e1cil.<\/p>\n<p>Hoy tenemos herramientas para transformar de un espacio de c\u00e1mara a un espacio de color de l\u00ednea de tiempo y de all\u00ed a un dispositivo de visualizaci\u00f3n, esto hace que hacer HDR y m\u00faltiples entregables usando color management sean mucho f\u00e1cil. Los flujos de color management se utilizan com\u00fanmente en grandes canales y Netflix los recomienda en gran medida.[\/vc_column_text]<div class=\"ult-spacer spacer-69ddb3069e0b7\" data-id=\"69ddb3069e0b7\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text]<\/p>\n<p style=\"text-align: center;\"><strong><a href=\"#schedule\">See a list of upcoming classes<\/a><\/strong><\/p>\n<p>[\/vc_column_text]<div class=\"ult-spacer spacer-69ddb3069e0be\" data-id=\"69ddb3069e0be\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text]En esta clase, se aprender\u00e1 sobre las ventajas del color management y la diferencia entre los flujos de trabajo referidos a escena y referidos a pantalla. Se explorar\u00e1n ACES y RCM tanto en sdr como en HDR , se aprender\u00e1n cu\u00e1ndo y c\u00f3mo usar ambos para obtener resultados de mejor calidad y para realizar diferentes entregables. Se har\u00e1 una simulaci\u00f3n de un flujo de trabajo de color completo desde set hasta colorizaci\u00f3n<\/p>\n<p>Ideal para jefes de posprpoducci\u00f3n, coloristas y todos los profesionales de la industria que trabajan con m\u00faltiples proyectos de c\u00e1mara o necesitan comunicar la intenci\u00f3n art\u00edstica durante la producci\u00f3n y postproducci\u00f3n. El curso cubre ACES, color management workflows, Dolby vision, flujos de trabajo referidos a escenas y de salida.[\/vc_column_text][vc_column_text]<\/p>\n<h3>\u00bfQu\u00e9 se aprender\u00e1?<\/h3>\n<ul>\n<li>Configuraci\u00f3n del proyecto en ACES<\/li>\n<li>Conceptos b\u00e1sicos de teor\u00eda de color<\/li>\n<li>Introducci\u00f3n al flujo de trabajo de color management<\/li>\n<li>Configuraci\u00f3n del proyecto en ACES<\/li>\n<li>Enfoques referidos a escena y referidos a la pantalla<\/li>\n<li>Configuraci\u00f3n del proyecto de Resove Color management<\/li>\n<li>Espacios de color<\/li>\n<li>EOTF<\/li>\n<li>Transformaciones de color\u00a0 versus LUT<\/li>\n<li>Gesti\u00f3n de looks durante la preproducci\u00f3n y postproducci\u00f3n (show look-clip look)<\/li>\n<li>Trabajo de CDL\u00b4S<\/li>\n<li>Entrega de m\u00faltiples formatos<\/li>\n<li>Flujos de trabajo de cine y VOD<\/li>\n<\/ul>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<hr \/>\n<p><iframe loading=\"lazy\" src=\"https:\/\/icolorist.wildapricot.org\/widget\/schedule-ct211\" width=\"750px\" height=\"1200px\" frameborder=\"no\"><\/iframe><br \/>\n<span style=\"color: #ccc; font-size: 9px; font-family: Verdana, Arial, Helvetica, sans-serif;\">Powered by Wild Apricot <a style=\"color: #ccc;\" href=\"http:\/\/www.wildapricot.com\/features\" target=\"_blank\" rel=\"noopener noreferrer\">Membership Software<\/a><\/span><script type=\"text\/javascript\" language=\"javascript\" src=\"https:\/\/icolorist.wildapricot.org\/Common\/EnableCookies.js\" ><\/script>[\/vc_column_text][vc_column_text]Learn the theory and practice of ACES developed by the Science and Technology Council (STC) of the Academy of Motion Picture Arts &amp; Sciences (AMPAS). See how ACES is set to improve and simplify post-production workflow, restore and preserve current motion picture assets, and create a standard that is ready for future technologies.<\/p>\n<p>This class is suitable for experienced cinematographers, DITs, post production professionals and supervisors. It assumes a basic knowledge of post production techniques but no previous color science knowledge is needed. Netflix and many VFX departments prefer ACES, find out why.<\/p>\n<p>Includes how ACES is best applied to the DI pipeline from on set to TV set and how it aids CGI\/VFX integration. Learn to use input transforms (IDT), output transforms (ODT) and how to create your own ACES LUTs<\/p>\n<p>A basic understanding of post production techniques is expected but no previous color science knowledge is required. Resolve will be used for demonstration but information applies to any ACES compliant software.<\/p>\n<p style=\"text-align: center;\"><strong><a href=\"#schedule\">See a list of upcoming classes<\/a><\/strong><\/p>\n<h3>You Will Learn<\/h3>\n<ul>\n<li>What is ACES?<\/li>\n<li>About input transforms (IDT) to bring different cameras into ACES.<\/li>\n<li>The four key colour transforms: IDT, LMT, RRT, and ODT.<\/li>\n<li>Using ACES in the DI pipeline, and how it aids CGI\/VFX integration.<\/li>\n<li>ACES AP0 and AP1 color spaces and when to use them<\/li>\n<li>About output transforms for different displays and deliveries<\/li>\n<li>Setting up ACES projects in Resolve<\/li>\n<li>ACES for HDR<\/li>\n<li>ACES and archiving<\/li>\n<li>ACES vs other color managed workflows<\/li>\n<\/ul>\n<hr \/>\n<p><iframe loading=\"lazy\" src=\"https:\/\/icolorist.wildapricot.org\/widget\/schedule-ct211\" width=\"750px\" height=\"1200px\" frameborder=\"no\"><\/iframe><br \/>\n<span style=\"color: #ccc; font-size: 9px; font-family: Verdana, Arial, Helvetica, sans-serif;\">Powered by Wild Apricot <a style=\"color: #ccc;\" href=\"http:\/\/www.wildapricot.com\/features\" target=\"_blank\" rel=\"noopener noreferrer\">Membership Software<\/a><\/span><script type=\"text\/javascript\" language=\"javascript\" src=\"https:\/\/icolorist.wildapricot.org\/Common\/EnableCookies.js\" ><\/script>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Learn the theory and practice of ACES developed by the Science and Technology Council (STC) of the Academy of Motion Picture Arts &amp; Sciences (AMPAS). See how ACES is set to improve and simplify post-production workflow, restore and preserve current motion picture assets, and create a standard that is ready for future technologies.<\/p>\n<p>This class is suitable for experienced cinematographers, DITs, post production professionals and supervisors. It assumes a basic knowledge of post production techniques but no previous color science knowledge is needed. Netflix and many VFX departments prefer ACES, find out why.<\/p>\n<p>Includes how ACES is best applied to the DI pipeline from on set to TV set and how it aids CGI\/VFX integration. Learn to use input transforms (IDT), output transforms (ODT) and how to create your own ACES LUTs<\/p>\n<p>A basic understanding of post production techniques is expected but no previous color science knowledge is required. Resolve will be used for demonstration but information applies to any ACES compliant software.<\/p>\n<p style=\"text-align: center;\"><strong><a href=\"#schedule\">See a list of upcoming classes<\/a><\/strong><\/p>\n<h3>You Will Learn<\/h3>\n<ul>\n<li>What is ACES?<\/li>\n<li>About input transforms (IDT) to bring different cameras into ACES.<\/li>\n<li>The four key colour transforms: IDT, LMT, RRT, and ODT.<\/li>\n<li>Using ACES in the DI pipeline, and how it aids CGI\/VFX integration.<\/li>\n<li>ACES AP0 and AP1 color spaces and when to use them<\/li>\n<li>About output transforms for different displays and deliveries<\/li>\n<li>Setting up ACES projects in Resolve<\/li>\n<li>ACES for HDR<\/li>\n<li>ACES and archiving<\/li>\n<li>ACES vs other color managed workflows<\/li>\n<\/ul>\n<hr \/>\n<p><iframe loading=\"lazy\" src=\"https:\/\/icolorist.wildapricot.org\/widget\/schedule-ct211\" width=\"750px\" height=\"1200px\" frameborder=\"no\"><\/iframe><br \/>\n<span style=\"color: #ccc; font-size: 9px; font-family: Verdana, Arial, Helvetica, sans-serif;\">Powered by Wild Apricot <a style=\"color: #ccc;\" href=\"http:\/\/www.wildapricot.com\/features\" target=\"_blank\" rel=\"noopener noreferrer\">Membership Software<\/a><\/span><script type=\"text\/javascript\" language=\"javascript\" src=\"https:\/\/icolorist.wildapricot.org\/Common\/EnableCookies.js\" ><\/script>[\/vc_column_text][vc_column_text]Learn the theory and practice of ACES developed by the Science and Technology Council (STC) of the Academy of Motion Picture Arts &amp; Sciences (AMPAS). See how ACES is set to improve and simplify post-production workflow, restore and preserve current motion picture assets, and create a standard that is ready for future technologies.<\/p>\n<p>This class is suitable for experienced cinematographers, DITs, post production professionals and supervisors. It assumes a basic knowledge of post production techniques but no previous color science knowledge is needed. Netflix and many VFX departments prefer ACES, find out why.<\/p>\n<p>Includes how ACES is best applied to the DI pipeline from on set to TV set and how it aids CGI\/VFX integration. Learn to use input transforms (IDT), output transforms (ODT) and how to create your own ACES LUTs<\/p>\n<p>A basic understanding of post production techniques is expected but no previous color science knowledge is required. Resolve will be used for demonstration but information applies to any ACES compliant software.<\/p>\n<p style=\"text-align: center;\"><strong><a href=\"#schedule\">See a list of upcoming classes<\/a><\/strong><\/p>\n<h3>You Will Learn<\/h3>\n<ul>\n<li>What is ACES?<\/li>\n<li>About input transforms (IDT) to bring different cameras into ACES.<\/li>\n<li>The four key colour transforms: IDT, LMT, RRT, and ODT.<\/li>\n<li>Using ACES in the DI pipeline, and how it aids CGI\/VFX integration.<\/li>\n<li>ACES AP0 and AP1 color spaces and when to use them<\/li>\n<li>About output transforms for different displays and deliveries<\/li>\n<li>Setting up ACES projects in Resolve<\/li>\n<li>ACES for HDR<\/li>\n<li>ACES and archiving<\/li>\n<li>ACES vs other color managed workflows<\/li>\n<\/ul>\n<hr \/>\n<p><iframe loading=\"lazy\" src=\"https:\/\/icolorist.wildapricot.org\/widget\/schedule-ct211\" width=\"750px\" height=\"1200px\" frameborder=\"no\"><\/iframe><br \/>\n<span style=\"color: #ccc; font-size: 9px; font-family: Verdana, Arial, Helvetica, sans-serif;\">Powered by Wild Apricot <a style=\"color: #ccc;\" href=\"http:\/\/www.wildapricot.com\/features\" target=\"_blank\" rel=\"noopener noreferrer\">Membership Software<\/a><\/span><script type=\"text\/javascript\" language=\"javascript\" src=\"https:\/\/icolorist.wildapricot.org\/Common\/EnableCookies.js\" ><\/script>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column]<p class=\"wpcf7-contact-form-not-found\"><strong>Error:<\/strong> Contact form not found.<\/p>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>ACES introdujo una manera f\u00e1cil de trabajar con la m\u00e1s alta calidad, su entorno de trabajo nos permite hacer transformaciones de un espacio de color a cualquier otro de una manera bastante f\u00e1cil. Hoy tenemos herramientas para transformar de un espacio de c\u00e1mara a un espacio de color de l\u00ednea de tiempo y de all\u00ed a un dispositivo de visualizaci\u00f3n, esto hace que hacer HDR y m\u00faltiples entregables usando color management sean mucho f\u00e1cil. Los flujos de color management se utilizan com\u00fanmente en grandes canales y Netflix los recomienda en gran medida.<\/p>\n","protected":false},"author":9,"featured_media":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","format":"standard","meta":{"footnotes":""},"course_category":[375],"instructor":[379],"software_topic":[435,395,434],"location":[400],"duration":[423],"suitable_for":[426,410,424,411,418,425,427],"level":[433],"class_list":["post-58497","course","type-course","status-publish","format-standard","hentry","course_category-color-management","instructor-kevin-shaw","software_topic-color-theory","software_topic-resolve","software_topic-software-agnostic","location-virtual","duration-one-day","suitable_for-cinematographers","suitable_for-colorists","suitable_for-dits","suitable_for-editors","suitable_for-restoration-artists","suitable_for-vfx-artists","suitable_for-youtubers","level-level-2-intermediate","course_category-375","description-off"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/course\/58497","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/course"}],"about":[{"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/types\/course"}],"author":[{"embeddable":true,"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/comments?post=58497"}],"version-history":[{"count":4,"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/course\/58497\/revisions"}],"predecessor-version":[{"id":58502,"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/course\/58497\/revisions\/58502"}],"wp:attachment":[{"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/media?parent=58497"}],"wp:term":[{"taxonomy":"course_category","embeddable":true,"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/course_category?post=58497"},{"taxonomy":"instructor","embeddable":true,"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/instructor?post=58497"},{"taxonomy":"software_topic","embeddable":true,"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/software_topic?post=58497"},{"taxonomy":"location","embeddable":true,"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/location?post=58497"},{"taxonomy":"duration","embeddable":true,"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/duration?post=58497"},{"taxonomy":"suitable_for","embeddable":true,"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/suitable_for?post=58497"},{"taxonomy":"level","embeddable":true,"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/level?post=58497"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}