{"id":58341,"date":"2021-03-21T02:15:59","date_gmt":"2021-03-21T02:15:59","guid":{"rendered":"https:\/\/icolorist.com\/?p=58341"},"modified":"2021-11-06T05:57:46","modified_gmt":"2021-11-06T05:57:46","slug":"colorist-mixer-sessions-on-demand-2","status":"publish","type":"post","link":"https:\/\/icolorist.com\/colorist-mixer-sessions-on-demand-2\/","title":{"rendered":"Colorist Mixer 24 Hr End-of-2020: Watch on demand"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h2 style=\"text-align: center;\">Colorist Mixer 2020 Video Recordings<\/h2>\n<h4 style=\"text-align: center;\"><em>Colorist Mixer 2020 was a world first \u2013 a 24 hour international online mixer<\/em><\/h4>\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n<p>COVID meant no NAB or IBC shows in 2020, and therefore no in-person Mixers. But we were very happy to welcome 600 attendees to our first virtual Mixer in December. We had brilliant speakers providing insights on all aspects of the industry \u2013\u00a0<strong>you can now watch the videos of these sessions below for free.<\/strong><\/p>\n<\/div>\n<p>On this page, you can watch keynote speeches from Charles Poynton \u2013 inventor of square sampling as HDTV standard; writer, director, producer and cinematographer Mark Toia;\u00a0 industry legend Joachim Zell; HDR colorist in demand Andreas Brueckl; and blockbuster colorists Walter Volpatto &amp; Mark Todd Osborne \u2013\u00a0 plus a panel on Women in Film and on the Representation of People of Color in Post. Not to mention in-depth presentations from <a title=\"\" href=\"https:\/\/www.abelcine.com\/?utm_source=newsletter&amp;utm_medium=email&amp;utm_campaign=Colorist%20Mixer\" target=\"_blank\" rel=\"noopener noreferrer\">AbelCine,<\/a>\u00a0<a title=\"\" href=\"https:\/\/www.asus.com\/?utm_source=newsletter&amp;utm_medium=email&amp;utm_campaign=Colorist%20Mixer\" target=\"_blank\" rel=\"noopener noreferrer\">Asus,<\/a>\u00a0<a title=\"\" href=\"https:\/\/coloristsociety.com\/?utm_source=newsletter&amp;utm_medium=email&amp;utm_campaign=Colorist%20Mixer\" target=\"_blank\" rel=\"noopener noreferrer\">CSI,<\/a>\u00a0<a title=\"\" href=\"https:\/\/www.dell.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Dell,<\/a>\u00a0<a title=\"\" href=\"https:\/\/www.dolby.com\/technologies\/dolby-vision\/?utm_source=newsletter&amp;utm_medium=email&amp;utm_campaign=Colorist%20Mixer\" target=\"_blank\" rel=\"noopener noreferrer\">Dolby,<\/a>\u00a0<a title=\"\" href=\"https:\/\/www.eclipsetech.co\/?utm_source=newsletter&amp;utm_medium=email&amp;utm_campaign=Colorist%20Mixer\" target=\"_blank\" rel=\"noopener noreferrer\">Eclipse Tech,<\/a>\u00a0<a title=\"\" href=\"https:\/\/www.filmconvert.com\/?utm_source=newsletter&amp;utm_medium=email&amp;utm_campaign=Colorist%20Mixer\" target=\"_blank\" rel=\"noopener noreferrer\">FilmConvert,<\/a>\u00a0<a title=\"\" href=\"https:\/\/filmworkz.com\/?utm_source=newsletter&amp;utm_medium=email&amp;utm_campaign=Colorist%20Mixer\" target=\"_blank\" rel=\"noopener noreferrer\">Filmworkz,<\/a>\u00a0<a title=\"\" href=\"https:\/\/www.flandersscientific.com\/?utm_source=newsletter&amp;utm_medium=email&amp;utm_campaign=Colorist%20Mixer\" target=\"_blank\" rel=\"noopener noreferrer\">Flanders Scientific,<\/a>\u00a0<a title=\"\" href=\"https:\/\/app.getresponse.com\/%7B%7BLINK%20%60https:\/\/www.fxphd.com\/?utm_source=newsletter&amp;utm_medium=email&amp;utm_campaign=Colorist%20Mixer&#96;}}\" target=\"_blank\" rel=\"noopener noreferrer\">fxphd,<\/a>\u00a0<a title=\"\" href=\"https:\/\/mixinglight.com\/?utm_source=newsletter&amp;utm_medium=email&amp;utm_campaign=Colorist%20Mixer\" target=\"_blank\" rel=\"noopener noreferrer\">Mixing Light,<\/a>\u00a0<a title=\"\" href=\"https:\/\/www.redgiant.com\/?utm_source=newsletter&amp;utm_medium=email&amp;utm_campaign=Colorist%20Mixer\" target=\"_blank\" rel=\"noopener noreferrer\">Red Giant,<\/a>\u00a0and\u00a0<a title=\"\" href=\"https:\/\/www.sgo.es\/?utm_source=newsletter&amp;utm_medium=email&amp;utm_campaign=Colorist%20Mixer\" target=\"_blank\" rel=\"noopener noreferrer\">SGO<\/a>. You can see the <a href=\"https:\/\/coloristmixer.com\/schedule\/\">full schedule of sessions at coloristmixer.com<\/a>.<\/p>\n<p><a href=\"https:\/\/app.getresponse.com\/site2\/icamails?u=SmCN6&amp;webforms_id=10307403\">Sign up to iColorist newsletters<\/a> for more content updates.<\/p>\n<\/div>\n<p>[\/vc_column_text]<div class=\"ult-spacer spacer-69ddaecec28c0\" data-id=\"69ddaecec28c0\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h3><strong>Mixer highlights<\/strong><\/h3>\n<p class=\"first\">Over 24 hours, we covered color grading tips, HDR, calibration, monitors &amp; displays, colorists\u2019 fees, updates on the latest tech, color science, restoration, filmmaking, camera technology, and more.<\/p>\n<p>[\/vc_column_text]<div class=\"ult-spacer spacer-69ddaecec28d9\" data-id=\"69ddaecec28d9\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_video link=&#8221;https:\/\/vimeo.com\/499384519&#8243; align=&#8221;center&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h3><strong>ICA tips and tricks &#8211; Part 3<\/strong><\/h3>\n<p class=\"first\">iColorist trainers Diego, David and Jeff walk you through some cool color tips.<br \/>\n<a href=\"https:\/\/icolorist.com\/instructors\/diego-yhama\/\">Diego Yhama CSI<\/a> &#8211; The new v17 HDR Tool<br \/>\n<a href=\"https:\/\/icolorist.com\/instructors\/david-catt\/\">David Catt<\/a> &#8211; What is the best graphics card for your machine<br \/>\n<a href=\"https:\/\/icolorist.com\/instructors\/jeff-greenberg\/\">Jeff Greenberg<\/a> &#8211; Really cool Resolve tips you probably didn&#8217;t know<\/p>\n<p>[\/vc_column_text]<div class=\"ult-spacer spacer-69ddaecec28e9\" data-id=\"69ddaecec28e9\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_video link=&#8221;https:\/\/vimeo.com\/513221927\/97180fb1a5&#8243; align=&#8221;center&#8221;]<div class=\"ult-spacer spacer-69ddaecec28f8\" data-id=\"69ddaecec28f8\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text]<\/p>\n<p style=\"text-align: center;\">To learn more from these instructors<\/p>\n<p>[\/vc_column_text]<style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-42a98940def064d6b0a83b376e4b0006.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-42a98940def064d6b0a83b376e4b0006 > i {\n  margin-right: 8px;\n}<\/style><div class=\"btn-align-center\"><a href=\"\/course\/course_category\/color-grading\/\" class=\"default-btn-shortcode dt-btn dt-btn-m link-hover-off \" id=\"default-btn-42a98940def064d6b0a83b376e4b0006\"><span>Book a grading class<\/span><\/a><\/div>[\/vc_column][\/vc_row][vc_row][vc_column]<div class=\"ult-spacer spacer-69ddaecec299e\" data-id=\"69ddaecec299e\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div><div class=\"hr-thin style-line\" style=\"width: 100%;border-color: #cccccc;border-top-width: 2px;\"><\/div><div class=\"ult-spacer spacer-69ddaecec29dd\" data-id=\"69ddaecec29dd\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h3 class=\"first\"><b>Keynote: Making A Self-Funded Feature Film<\/b>\u00a0&#8211; Mark Toia<\/h3>\n<p>Mark Toia shares how he wrote, shot, directed and funded his upcoming movie Monsters of Man. Mark is one of the most successful TV commercial directors in the world, working on big budget ads via his company Zoom Film &amp; Television. Watch this if you\u2019ve ever wondered about making an indie feature film start to finish, or just want to hear some pearls of wisdom from an industry leader.[\/vc_column_text]<div class=\"ult-spacer spacer-69ddaecec29eb\" data-id=\"69ddaecec29eb\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_video link=&#8221;https:\/\/vimeo.com\/499491549\/17a6d90471&#8243; align=&#8221;center&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h3 class=\"first\"><strong>How to: Calibrate your Monitor<\/strong><\/h3>\n<p class=\"first\">iColorist trainer <a href=\"https:\/\/icolorist.com\/instructors\/gregg-loewen\/\">Gregg Loewen<\/a> explains the steps to calibrate a monitor from his calibration lab, and gives an overview of what his classes are all about.<\/p>\n<p class=\"first\"><strong>The session was sponsored by <a href=\"https:\/\/www.dell.com\/en-au\/shop\/monitors-monitor-accessories\/ac\/4009?~ck=mn\">Dell<\/a>.<\/strong><\/p>\n<p>[\/vc_column_text]<div class=\"ult-spacer spacer-69ddaecec29f9\" data-id=\"69ddaecec29f9\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_video link=&#8221;https:\/\/vimeo.com\/513204266\/f3c7ef5ada&#8221; align=&#8221;center&#8221;]<div class=\"ult-spacer spacer-69ddaecec2a07\" data-id=\"69ddaecec2a07\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-a17da339c3547463e0749cb772207d4c.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-a17da339c3547463e0749cb772207d4c > i {\n  margin-right: 8px;\n}<\/style><div class=\"btn-align-center\"><a href=\"\/course\/course_category\/color-management\/\" class=\"default-btn-shortcode dt-btn dt-btn-m link-hover-off \" id=\"default-btn-a17da339c3547463e0749cb772207d4c\"><span>Book a class on calibration<\/span><\/a><\/div>[\/vc_column][\/vc_row][vc_row][vc_column]<div class=\"ult-spacer spacer-69ddaecec2a53\" data-id=\"69ddaecec2a53\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div><div class=\"hr-thin style-line\" style=\"width: 100%;border-color: #cccccc;border-top-width: 2px;\"><\/div><div class=\"ult-spacer spacer-69ddaecec2a7a\" data-id=\"69ddaecec2a7a\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h3 class=\"first\"><b>Keynote: Charles Poynton<\/b><\/h3>\n<p>20 years ago Charles Poynton established square sampling (\u201csquare pixels\u201d) as the standard for HDTV. He is the inventor of the number 1080 found in HDTV standards, for which he was awarded SMPTE\u2019s David Sarnoff Gold Medal. Here he talks terminology and how we can improve communication by better defining our terms and being more careful with our use of spoken language.<\/p>\n<p>Charles has a PhD in Color Science from Simon Fraser University and has written a book \u2018<a href=\"https:\/\/poynton.ca\/DVAI\/\"><i>Digital Video and HD Algorithms and Interfaces\u2019.<\/i><\/a>[\/vc_column_text]<div class=\"ult-spacer spacer-69ddaecec2a90\" data-id=\"69ddaecec2a90\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_video link=&#8221;https:\/\/vimeo.com\/505597100\/4027c28a0d&#8221; align=&#8221;center&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h3 class=\"first\"><b>What\u2019s New In Magic Bullet Suite 14<\/b><\/h3>\n<p>This session covers:<\/p>\n<ul>\n<li>Quick tour into the all new Magic Bullet Suite 14<\/li>\n<li>Magic Bullet Looks Overview<\/li>\n<li>All the new features in Magic Bullet Looks 5<\/li>\n<li>Three additional new tools in Magic Bullet 5 and how you can use them to your benefit<\/li>\n<\/ul>\n<p><em><strong>This session is sponsored by\u00a0<a href=\"https:\/\/www.redgiant.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Red Giant.<\/a><\/strong><\/em>[\/vc_column_text]<div class=\"ult-spacer spacer-69ddaecec2a9d\" data-id=\"69ddaecec2a9d\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_video link=&#8221;https:\/\/vimeo.com\/505430733\/77ae73a892&#8243; align=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row][vc_column]<div class=\"ult-spacer spacer-69ddaecec2aaa\" data-id=\"69ddaecec2aaa\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div><div class=\"hr-thin style-line\" style=\"width: 100%;border-color: #cccccc;border-top-width: 2px;\"><\/div><div class=\"ult-spacer spacer-69ddaecec2ac3\" data-id=\"69ddaecec2ac3\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h3 class=\"first\"><b>Filmworkz DVOs In Resolve 17<\/b><\/h3>\n<p><strong>Blake Jones<\/strong> goes through all the Filmworkz DVO tools, their use in Resolve 17, and how putting them into Power Grades makes them so quick to add into a correction.<\/p>\n<p><strong>This session is sponsored by\u00a0<a href=\"https:\/\/filmworkz.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Filmworkz<\/a>.<\/strong>[\/vc_column_text]<div class=\"ult-spacer spacer-69ddaecec2ad0\" data-id=\"69ddaecec2ad0\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_video link=&#8221;https:\/\/vimeo.com\/508373822\/48c1cb5d80&#8243; align=&#8221;center&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h3 class=\"first\"><strong>Grading Remotely<\/strong><\/h3>\n<p>Chuck Parker CEO of Sohonet talks Sohonet remote grading options. Clearview Flex and Clearview Pivot are great ways of connecting a colorist with a director in different locations.<\/p>\n<p class=\"first\"><strong>This session is sponsored by\u00a0<a href=\"https:\/\/www.sohonet.com\/\">Sohonet.<\/a><\/strong><\/p>\n<p>[\/vc_column_text]<div class=\"ult-spacer spacer-69ddaecec2add\" data-id=\"69ddaecec2add\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_video link=&#8221;https:\/\/vimeo.com\/499896359\/edf67711df&#8221; align=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row][vc_column]<div class=\"ult-spacer spacer-69ddaecec2ae9\" data-id=\"69ddaecec2ae9\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div><div class=\"hr-thin style-line\" style=\"width: 100%;border-color: #cccccc;border-top-width: 2px;\"><\/div><div class=\"ult-spacer spacer-69ddaecec2b02\" data-id=\"69ddaecec2b02\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h3 class=\"first\"><b>You&#8217;re Fired: How Not To Under- Or Overcharge<\/b><\/h3>\n<p>In one of the most dynamic and well received sessions of the Mixer, panelists from the US, UK and Europe share their take on setting rates, pitching and charging clients, &amp; working as freelance colorists. Dario Bigi, Senior Colorist Bonfire and Freelancer, chairs with\u00a0Roel Videler, Senior Colorist, Media Monks; Rebecca Goodeve, Colorist, Author Colour and Freelancer; John Rogers, Independent Senior Colorist; and Juan Salvo, Founder\/Finishing Artist, The Colour Space.[\/vc_column_text]<div class=\"ult-spacer spacer-69ddaecec2b0f\" data-id=\"69ddaecec2b0f\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_video link=&#8221;https:\/\/vimeo.com\/499945872\/6a6ddceebd&#8221; align=&#8221;center&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h3 class=\"first\"><strong>CSI presents: the 2020 Colourist Salary Survey<\/strong><\/h3>\n<p class=\"first\">Heike Quosdorf, CSI gives an overview of the Colorist Salary Survey results &#8211; including salaries based on location and system used &#8211; initially started last year in Berlin, and now spread in international forums. To help the colorist community grow stronger and develop, it is important to share fundamental business knowledge between ourselves and raise awareness for certain topics.<\/p>\n<div>\n<p>You can see the <a title=\"\" href=\"https:\/\/app.getresponse.com\/click.html?x=a62b&amp;lc=BgA7je&amp;mc=Cm&amp;s=aPPnaC&amp;u=SmCN6&amp;z=EzdGhyc&amp;\" target=\"_blank\" rel=\"noopener noreferrer\">results of the 2019 Colorist Salary Survey here<\/a>. Please <a title=\"https:\/\/app.getresponse.com\/click.html?x=a62b&amp;lc=BgA75G&amp;mc=Cm&amp;s=aPPnaC&amp;u=SmCN6&amp;z=EBXvVMm&amp;\" href=\"https:\/\/app.getresponse.com\/click.html?x=a62b&amp;lc=BgA75G&amp;mc=Cm&amp;s=aPPnaC&amp;u=SmCN6&amp;z=EBXvVMm&amp;\" target=\"_blank\" rel=\"noopener noreferrer\">contribute to the 2020 Salary Survey<\/a> to continue to strengthen the colorist community through economic information (this is anonymous).\u00a0<a title=\"\" href=\"https:\/\/app.getresponse.com\/click.html?x=a62b&amp;lc=BgA7kx&amp;mc=Cm&amp;s=aPPnaC&amp;u=SmCN6&amp;z=EQNxwBH&amp;\" target=\"_blank\" rel=\"noopener noreferrer\">Visit the website<\/a> to find out what this is about.<\/p>\n<\/div>\n<p>Find out more about <a title=\"https:\/\/app.getresponse.com\/click.html?x=a62b&amp;lc=BgA7FL&amp;mc=Cm&amp;s=aPPnaC&amp;u=SmCN6&amp;z=EBf5Fuy&amp;\" href=\"https:\/\/app.getresponse.com\/click.html?x=a62b&amp;lc=BgA7FL&amp;mc=Cm&amp;s=aPPnaC&amp;u=SmCN6&amp;z=EBf5Fuy&amp;\" target=\"_blank\" rel=\"noopener noreferrer\">CSI<\/a> and <a title=\"\" href=\"https:\/\/app.getresponse.com\/click.html?x=a62b&amp;lc=BgA7ry&amp;mc=Cm&amp;s=aPPnaC&amp;u=SmCN6&amp;z=EyUwCMn&amp;\" target=\"_blank\" rel=\"noopener noreferrer\">its work for the industry<\/a>, or <a title=\"https:\/\/app.getresponse.com\/click.html?x=a62b&amp;lc=BgA7lc&amp;mc=Cm&amp;s=aPPnaC&amp;u=SmCN6&amp;z=EMVbhpS&amp;\" href=\"https:\/\/app.getresponse.com\/click.html?x=a62b&amp;lc=BgA7lc&amp;mc=Cm&amp;s=aPPnaC&amp;u=SmCN6&amp;z=EMVbhpS&amp;\" target=\"_blank\" rel=\"noopener noreferrer\">join your local chapter<\/a>, <a title=\"\" href=\"https:\/\/app.getresponse.com\/click.html?x=a62b&amp;lc=BgA7FL&amp;mc=Cm&amp;s=aPPnaC&amp;u=SmCN6&amp;z=EtJIhPf&amp;\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>.[\/vc_column_text]<div class=\"ult-spacer spacer-69ddaecec2b1c\" data-id=\"69ddaecec2b1c\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_video link=&#8221;https:\/\/vimeo.com\/503612193\/1800579a59&#8243; align=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row][vc_column]<div class=\"ult-spacer spacer-69ddaecec2b27\" data-id=\"69ddaecec2b27\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div><div class=\"hr-thin style-line\" style=\"width: 100%;border-color: #cccccc;border-top-width: 2px;\"><\/div><div class=\"ult-spacer spacer-69ddaecec2b3d\" data-id=\"69ddaecec2b3d\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h3><strong>AbelCine presents: Color Metadata &#8211; Preserving Creative Intent<\/strong><\/h3>\n<p class=\"first\">AbelCine technology specialist Geoff Smith talks to NYC DP Charlie Anderson about his experiences managing camera metadata, and how a director and DP\u2019s creative intent is maintained during footage\u2019s journey from set to the creation of dailies, through post, to final color and finish.<\/p>\n<p><strong>This session was sponsored by <a href=\"https:\/\/www.abelcine.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">AbelCine<\/a>.<\/strong>[\/vc_column_text]<div class=\"ult-spacer spacer-69ddaecec2b49\" data-id=\"69ddaecec2b49\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_video link=&#8221;https:\/\/vimeo.com\/508377513\/4f3adae1f8&#8243; align=&#8221;center&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h3><strong>Dolby Vision presents: The latest content creation news &amp; updates<\/strong><\/h3>\n<p class=\"first\">Check out the latest news from Dolby&#8217;s Tom Graham. He explains Dolby Vision and talks about their new Virtual training programme, including an overview of the license\/pricing and recent changes to the Dolby Vision Certification program.<\/p>\n<p><strong>This session was sponsored by <a href=\"https:\/\/coloristmixer.com\/schedule\/www.dolby.com\" target=\"_blank\" rel=\"noopener noreferrer\">Dolby<\/a>.<\/strong>[\/vc_column_text]<div class=\"ult-spacer spacer-69ddaecec2b54\" data-id=\"69ddaecec2b54\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_video link=&#8221;https:\/\/vimeo.com\/499829487\/487b77b22a&#8221; align=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row][vc_column]<div class=\"ult-spacer spacer-69ddaecec2b5f\" data-id=\"69ddaecec2b5f\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div><div class=\"hr-thin style-line\" style=\"width: 100%;border-color: #cccccc;border-top-width: 2px;\"><\/div><div class=\"ult-spacer spacer-69ddaecec2b74\" data-id=\"69ddaecec2b74\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h3><strong>FSI presents: Beyond 1,000 Nits &#8211; The Benefits Of Higher Luminance HDR Displays<\/strong><\/h3>\n<p>FSI CEO Bram Desmet explores your options when purchasing an HDR color correction monitor, including the benefits of a 3000nit capable mastering display like FSI\u2019s XM310K.<\/p>\n<p><strong>This session was sponsored by <a href=\"https:\/\/flandersscientific.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Flanders Scientific.<\/a><\/strong>[\/vc_column_text]<div class=\"ult-spacer spacer-69ddaecec2b7f\" data-id=\"69ddaecec2b7f\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_video link=&#8221;https:\/\/vimeo.com\/499826289\/d70a47e9e2&#8243; align=&#8221;center&#8221;]<div class=\"ult-spacer spacer-69ddaecec2b89\" data-id=\"69ddaecec2b89\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-180d5b4dcb42c49d65f14f1f5b449324.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-180d5b4dcb42c49d65f14f1f5b449324 > i {\n  margin-right: 8px;\n}<\/style><div class=\"btn-align-center\"><a href=\"https:\/\/www.fxphd.com\/product\/introduction-to-hdr\/\" class=\"default-btn-shortcode dt-btn dt-btn-m link-hover-off \" id=\"default-btn-180d5b4dcb42c49d65f14f1f5b449324\"><span>Take a course on HDR<\/span><\/a><\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h3><strong>ICA tips and tricks &#8211; Part 2<\/strong><\/h3>\n<p class=\"first\">The iColorist trainers share some of their top color correction tips:<\/p>\n<p><a href=\"https:\/\/icolorist.com\/instructors\/francisco-ramos-howell\/\">Paco Ramos CSI<\/a> &#8211; Cool Mistika Color tools<br \/>\n<a href=\"https:\/\/icolorist.com\/instructors\/yuki-ariandi\/\">Yuki Ariandi CSI<\/a> &#8211; Fusion for the Colorist<br \/>\n<a href=\"https:\/\/icolorist.com\/instructors\/blake-jones\/\">Blake Jones CSI<\/a> &#8211; Resolve 17 tips and tricks<br \/>\n<a href=\"https:\/\/icolorist.com\/instructors\/warren-eagles\/\">Warren Eagles CSI<\/a> &#8211; How to keep your clients using Resolve Power Bins and PowerGrades.[\/vc_column_text]<div class=\"ult-spacer spacer-69ddaecec2bc4\" data-id=\"69ddaecec2bc4\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_video link=&#8221;https:\/\/vimeo.com\/505428277\/48b359324c&#8221; align=&#8221;center&#8221;]<div class=\"ult-spacer spacer-69ddaecec2bcf\" data-id=\"69ddaecec2bcf\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-fefab4b14545660a889c069d8f711b2c.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-fefab4b14545660a889c069d8f711b2c > i {\n  margin-right: 8px;\n}<\/style><div class=\"btn-align-center\"><a href=\"https:\/\/www.fxphd.com\/product\/build-your-own-megapack\/\" class=\"default-btn-shortcode dt-btn dt-btn-m link-hover-off \" id=\"default-btn-fefab4b14545660a889c069d8f711b2c\"><span>Take a course on Resolve 17<\/span><\/a><\/div>[\/vc_column][\/vc_row][vc_row][vc_column]<div class=\"ult-spacer spacer-69ddaecec2c02\" data-id=\"69ddaecec2c02\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div><div class=\"hr-thin style-line\" style=\"width: 100%;border-color: #cccccc;border-top-width: 2px;\"><\/div><div class=\"ult-spacer spacer-69ddaecec2c18\" data-id=\"69ddaecec2c18\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h3 class=\"_3vbdr sc-dfVpRl jZZncJ\"><strong><span class=\"-KXLs\">CSI Hosts: Representation of people of color in Post<\/span><\/strong><\/h3>\n<p class=\"first\">Panellists Bobola Oniwura and John Bleau discuss representation and why it matters \u2013 including the journey so far and what the changing post landscape means for people of color.<\/p>\n<p>[\/vc_column_text]<div class=\"ult-spacer spacer-69ddaecec2c22\" data-id=\"69ddaecec2c22\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_video link=&#8221;https:\/\/vimeo.com\/500598839\/c092bb914f&#8221; align=&#8221;center&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h3 class=\"ult_expheader\"><strong>Working Remotely? Grading, Editing, &amp; Creating VFX With Virtual Machines In The Cloud with Ben Campbell &amp; Jeff Olm\u00a0<\/strong><\/h3>\n<div class=\"ult-just-icon-wrapper ult_exp_icon\">\n<div class=\"align-icon \">Are your workflows halted by the need to work remote? Eclipse Tech walks through how easy it is to use its powerful workstations to bring your workflow to the cloud. Olm, a professional colorist, talks about his experience grading the entire award-winning Indy Feature 18KHz in the cloud, plus shares a sneak peak of upcoming product releases.<\/div>\n<div>\n<p><strong>This session was sponsored by Eclipse Tech.<\/strong><\/p>\n<\/div>\n<\/div>\n<p>[\/vc_column_text]<div class=\"ult-spacer spacer-69ddaecec2c2c\" data-id=\"69ddaecec2c2c\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_video link=&#8221;https:\/\/vimeo.com\/508356342\/45b1c546ef&#8221; align=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row][vc_column]<div class=\"ult-spacer spacer-69ddaecec2c36\" data-id=\"69ddaecec2c36\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div><div class=\"hr-thin style-line\" style=\"width: 100%;border-color: #cccccc;border-top-width: 2px;\"><\/div><div class=\"ult-spacer spacer-69ddaecec2c49\" data-id=\"69ddaecec2c49\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h3 class=\"_3vbdr sc-dfVpRl jZZncJ\"><strong><span class=\"-KXLs\">Keynote: Grading in HDR for Hollywood by Andreas Brueckl <\/span><\/strong><\/h3>\n<p class=\"first\">Andreas shares his insights from working around the world as a colorist for 15 years, in particular his recent work grading Netflix and Amazon originals. Andreas has colored more than 1000 TV commercials and has won Apollo Awards for Asia\u2019s best colorist \u2013 TVC and Asia\u2019s best colorist \u2013 movies.<\/p>\n<p>[\/vc_column_text]<div class=\"ult-spacer spacer-69ddaecec2c52\" data-id=\"69ddaecec2c52\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_video link=&#8221;https:\/\/vimeo.com\/508350697\/290b1ba189&#8243; align=&#8221;center&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h3 class=\"_3vbdr sc-dfVpRl jZZncJ\"><b>Mistika 10: Feel The Color &amp; Master The Finish From SGO<\/b><\/h3>\n<div class=\"ult-just-icon-wrapper ult_exp_icon\">\n<div class=\"align-icon \">\n<p class=\"first\">Check out the latest from Mistika as iColorist trainer Paco joins SGO&#8217;s Adrian Gonzalez as they demo the latest Mistika 10 software. They explore some unique concepts of Mistika Boutique and the recently redesigned Color GUI with brand new color tools that are empowering the artists with even greater control and finesse in color processes and bring a whole new interactive grading experience They also look at how Mistika handles VFX in color managed workflows.<\/p>\n<p>You can sign up for our free Mistika 10 starting Feb 12th <a href=\"https:\/\/icolorist.com\/mistika-essentials-4-part-free-course\/\">here<\/a>.<\/p>\n<p><strong>This session was sponsored by SGO.<\/strong><\/p>\n<\/div>\n<\/div>\n<p>[\/vc_column_text]<div class=\"ult-spacer spacer-69ddaecec2c5c\" data-id=\"69ddaecec2c5c\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_video link=&#8221;https:\/\/vimeo.com\/508336692\/1646ee9eb5&#8243; align=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row][vc_column]<div class=\"ult-spacer spacer-69ddaecec2c65\" data-id=\"69ddaecec2c65\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div><div class=\"hr-thin style-line\" style=\"width: 100%;border-color: #cccccc;border-top-width: 2px;\"><\/div><div class=\"ult-spacer spacer-69ddaecec2c77\" data-id=\"69ddaecec2c77\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h3><strong>Keynote: Grading in Hollywood with Mark Todd Osborne and Walter Volpatto<\/strong><\/h3>\n<p class=\"first\">Mark Todd Osbourne CSI and Walter Volpatto CSI ask each other the questions you always wanted to ask a top Hollywood Colorist.<\/p>\n<p class=\"first\"><span data-sheets-formula-bar-text-style=\"font-size:12px;color:#000000;font-weight:normal;text-decoration:none;font-family:'Arial';font-style:normal;text-decoration-skip-ink:none;\">Mark is an industry veteran that has been grading for 25 yrs, across feature films, TV, commercials and music videos.\u00a0<\/span>Previously at Company 3, he is now freelance in LA.<\/p>\n<p><span data-sheets-formula-bar-text-style=\"font-size:12px;color:#000000;font-weight:normal;text-decoration:none;font-family:'Arial';font-style:normal;text-decoration-skip-ink:none;\">Walter has graded many blockbusters over his 15yr career, including Academy-Award<em>\u00a0Green Book\u00a0<\/em>and<em>\u00a0Star Wars: The Last Jedi.\u00a0<\/em>Walter previously worked at FotoKem and Efilm and is now at Company 3<em>. You can also listen to Warren\u2019s\u00a0<a href=\"https:\/\/icolorist.com\/color-tour-podcast-episode-s3-ep01-walter-volpatto-hollywood-us\/\">Color Tour podcast episode with Walter here<\/a><\/em><\/span>[\/vc_column_text]<div class=\"ult-spacer spacer-69ddaecec2c80\" data-id=\"69ddaecec2c80\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_video link=&#8221;https:\/\/vimeo.com\/499508229\/2b0cc7b43f&#8221; align=&#8221;center&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h3><strong>CSI hosts: Recognition of Colorists in Film<\/strong><\/h3>\n<p class=\"first\">Walter Volpatto, CSI and Mark Todd Osborne, CSI, talk to CSI President Kevin Shaw, CSI about recognition of colorists within the industry and specifically with IMDB and the Academy of Motion Picture Arts and Sciences.<\/p>\n<p>You can <a href=\"https:\/\/community-imdb.sprinklr.com\/conversations\/data-issues-policy-discussions\/could-we-please-have-a-separate-colorist-department\/5f4a7a328815453dba9d9d1a?fbclid=IwAR01lcBs97KusMsAr68aDBrEXvWC1AboMIzhd-5GQsmvYcnMx3gxyFvfPBE&amp;topic-reply-list=[object%20Object]&amp;utm_campaign=new_comment&amp;utm_content=topic_link&amp;utm_medium=email&amp;utm_source=notification#topic-reply-list\">add your name to the IMDB petition here<\/a>.[\/vc_column_text]<div class=\"ult-spacer spacer-69ddaecec2c89\" data-id=\"69ddaecec2c89\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_video link=&#8221;https:\/\/vimeo.com\/494812279\/f1ef328285&#8243; align=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row][vc_column]<div class=\"ult-spacer spacer-69ddaecec2c91\" data-id=\"69ddaecec2c91\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div><div class=\"hr-thin style-line\" style=\"width: 100%;border-color: #cccccc;border-top-width: 2px;\"><\/div><div class=\"ult-spacer spacer-69ddaecec2ca1\" data-id=\"69ddaecec2ca1\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h3><strong>Camera matching: FilmConvert present Cinematch<\/strong><\/h3>\n<p class=\"first\">John Parker and Sam Wiles join us from the Film Convert HQ in Wellington NZ. They discuss <a href=\"https:\/\/www.cinematch.com\/\">CineMatch<\/a>, their brand new camera matching solution. For more information visit <a href=\"https:\/\/www.filmconvert.com\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">filmconvert.com<\/a><\/p>\n<div class=\"vc_row wpb_row vc_row-fluid\">\n<div class=\"wpb_column vc_column_container vc_col-sm-3\">\n<div class=\"vc_column-inner\">\n<div class=\"wpb_wrapper\">\n<div class=\"ult_exp_section_layer ult-adjust-bottom-margin \">\n<div class=\"ult_exp_content ult_active_section\">\n<div class=\"ult_ecpsub_cont\">\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n<p><strong>This session is sponsored by FilmConvert.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/vc_column_text]<div class=\"ult-spacer spacer-69ddaecec2caa\" data-id=\"69ddaecec2caa\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_video link=&#8221;https:\/\/vimeo.com\/499823247\/fd378242b6&#8243; align=&#8221;center&#8221;]<div class=\"ult-spacer spacer-69ddaecec2cb1\" data-id=\"69ddaecec2cb1\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-3301e105f48641c9855c7fd88af69288.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-3301e105f48641c9855c7fd88af69288 > i {\n  margin-right: 8px;\n}<\/style><div class=\"btn-align-center\"><a href=\"\/course\/ct201-looks-and-matching-practice-and-theory\/\" class=\"default-btn-shortcode dt-btn dt-btn-m link-hover-off \" id=\"default-btn-3301e105f48641c9855c7fd88af69288\"><span>Take a class on Looks &amp; Matching<\/span><\/a><\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h3><strong>Keynote: Joachim Zell<\/strong><\/h3>\n<p class=\"first\">Joachim Zell talks about James Bond, look up tables, and how he delivered digital dailies for True Grit.<\/p>\n<p class=\"first\">JZ is a consultant on production and post-production workflows, ACES and Imaging Science. For 12 years he served as VP of Technology and Imaging Science at EFILM\/Deluxe, where he designed and monitored production workflows from onset production to the movie release. JZ now serves on the ASC Motion Imaging Technology Council DI team that defined the ASC CDL standard and acts as Co-Chair of the MITC Next-Generation Cinema Display committee as well as ACES Project Vice Chair at the Academy of Motion Picture Arts and Science and HPA board member.<\/p>\n<div class=\"vc_row wpb_row vc_row-fluid\">\n<div class=\"wpb_column vc_column_container vc_col-sm-3\">\n<div class=\"vc_column-inner\">\n<div class=\"wpb_wrapper\">\n<div class=\"ult_exp_section_layer ult-adjust-bottom-margin \">\n<div class=\"ult_exp_content ult_active_section\">\n<div class=\"ult_ecpsub_cont\">\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n<p><strong>This session is sponsored by ACES. <\/strong>Get the latest info at\u00a0<a href=\"https:\/\/acescentral.com\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">acescentral.com<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/vc_column_text]<div class=\"ult-spacer spacer-69ddaecec2ce1\" data-id=\"69ddaecec2ce1\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_video link=&#8221;https:\/\/vimeo.com\/494709503\/43fa61a65d&#8221; align=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row][vc_column]<div class=\"ult-spacer spacer-69ddaecec2cea\" data-id=\"69ddaecec2cea\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div><div class=\"hr-thin style-line\" style=\"width: 100%;border-color: #cccccc;border-top-width: 2px;\"><\/div><div class=\"ult-spacer spacer-69ddaecec2cfa\" data-id=\"69ddaecec2cfa\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h3><strong>CSI hosts: Women in Film<\/strong><\/h3>\n<p class=\"first\">Three experienced colorists will talk to CSI Board Member Sarah Priestnall about working in the film industry as a woman. While things have changed a lot over recent decades, women are still significantly underrepresented in this industry \u2013 why is this, and what does it mean for those that do work in film and for the industry itself?<\/p>\n<p class=\"first\">Whether you are a woman starting out in film or you work with women in grading, this is a don\u2019t miss panel with panelists CJ Dobson CSI, Junbin Chen CSI, and Andrea Chlebak.<\/p>\n<p>[\/vc_column_text]<div class=\"ult-spacer spacer-69ddaecec2d01\" data-id=\"69ddaecec2d01\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_video link=&#8221;https:\/\/vimeo.com\/493991703\/1e4c21c2fe&#8221; align=&#8221;center&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h3><strong>ICA tips and tricks\u00a0from Diego Yhama &amp; Francisco Ramos Howell<\/strong><\/h3>\n<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;In three sessions during the Mixer, the International Colorist Academy instructors shared their top tips and tricks on color grading. In this first session:\\n00:58 Diego Yhama shows you how to customize light zones in the HDR palette of DaVinci Resolve 17.\\n10:48 Francisco Ramos Howell shows you how to do things more easily in the latest version of Mistika. \\nWatch it now for our best 2020 tips in the latest softwares.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:1061633,&quot;3&quot;:{&quot;1&quot;:0},&quot;11&quot;:4,&quot;12&quot;:0,&quot;15&quot;:&quot;Montserrat&quot;,&quot;16&quot;:10,&quot;23&quot;:1}\" data-sheets-textstyleruns=\"{&quot;1&quot;:0}\uee10[null,163,{&quot;2&quot;:[null,2,1136076],&quot;9&quot;:1}]\uee10{&quot;1&quot;:174}\uee10[null,262,{&quot;2&quot;:[null,2,1136076],&quot;9&quot;:1}]\uee10{&quot;1&quot;:284}\" data-sheets-hyperlinkruns=\"[null,163,&quot;https:\/\/icolorist.com\/instructors\/diego-yhama\/&quot;]\uee10{&quot;1&quot;:174}\uee10[null,262,&quot;https:\/\/icolorist.com\/instructors\/francisco-ramos-howell\/&quot;]\uee10{&quot;1&quot;:284}\">In three sessions during the Mixer, the International Colorist Academy instructors shared their top tips and tricks on color grading. In this first session:<br \/>\n00:58 <a class=\"in-cell-link\" href=\"https:\/\/icolorist.com\/instructors\/diego-yhama\/\" target=\"_blank\" rel=\"noopener noreferrer\">Diego Yhama<\/a> shows you how to customize light zones in the HDR palette of DaVinci Resolve 17.<br \/>\n10:48 <a class=\"in-cell-link\" href=\"https:\/\/icolorist.com\/instructors\/francisco-ramos-howell\/\" target=\"_blank\" rel=\"noopener noreferrer\">Francisco Ramos Howell<\/a> shows you how to do things more easily in the latest version of Mistika.<br \/>\nWatch it now for our best 2020 tips in the latest software.<\/span>[\/vc_column_text]<div class=\"ult-spacer spacer-69ddaecec2d09\" data-id=\"69ddaecec2d09\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_video link=&#8221;https:\/\/vimeo.com\/494706702\/5cf0466f76&#8243; align=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row][vc_column]<div class=\"ult-spacer spacer-69ddaecec2d10\" data-id=\"69ddaecec2d10\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div><div class=\"hr-thin style-line\" style=\"width: 100%;border-color: #cccccc;border-top-width: 2px;\"><\/div><div class=\"ult-spacer spacer-69ddaecec2d1c\" data-id=\"69ddaecec2d1c\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h3><strong>Live from Mexico with fxphd<\/strong><\/h3>\n<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Live from Mexico, co-founder &amp; owner of fxphd John Montgomery talks to Warren Eagles, and Kevin Shaw about COVID, Resolve 17 and learning new software, workflows, the latest displays, and the new offerings from the fxphd online university - plus a spicy cocktail recipe.\\n\\nJohn Montgomery is a VFX artist and producer who co-founded fxphd \u2013 a subscription-based online VFX, post-production, and motion graphics training program with over 250 courses \u2013 and fxguide \u2013 a visual effects and post-production community website and podcast VFXshow.\\n\\nKevin Shaw CSI is co-founder of Colorist Society International \u2013 the first organization to represent professional colorists \u2013 and the International Colorist Academy (iColorist). Kevin has been color grading for 30 years, working all over the world as a colorist, restoration specialist, technologist, consultant and instructor. He has consulted for Amazon Studios, Dolby, BBC Digital Media Services, Kodak labs, CBS Broadcast, Digital Vision, NARA and National Film Board of Canada.\\n\\nWarren Eagles has an extensive 25 year career with experience in all forms of color correction. Warren co-founded the ICA (iColorist) with Kevin and runs his own shop grading and running training classes. His credits include commercials for Qantas, Ford, Mitsubishi, Revlon, and Tooheys, mainstream UK and Australian dramas and documentaries including \u201cLock Stock and Two Smoking Barrels\u201d.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:1061633,&quot;3&quot;:{&quot;1&quot;:0},&quot;11&quot;:4,&quot;12&quot;:0,&quot;15&quot;:&quot;Montserrat&quot;,&quot;16&quot;:10,&quot;23&quot;:1}\" data-sheets-textstyleruns=\"{&quot;1&quot;:0}\uee10[null,272,{&quot;6&quot;:1}]\uee10[null,542,{&quot;2&quot;:[null,2,1136076],&quot;6&quot;:1,&quot;9&quot;:1}]\uee10[null,552,{&quot;6&quot;:1}]\uee10[null,1026,{&quot;2&quot;:[null,2,1136076],&quot;6&quot;:1,&quot;9&quot;:1}]\uee10[null,1039,{&quot;6&quot;:1}]\" data-sheets-hyperlinkruns=\"[null,542,&quot;https:\/\/icolorist.com\/instructors\/kevin-shaw\/&quot;]\uee10{&quot;1&quot;:552}\uee10[null,1026,&quot;https:\/\/icolorist.com\/instructors\/warren-eagles\/&quot;]\uee10{&quot;1&quot;:1039}\">Co-founder &amp; owner of fxphd John Montgomery talks to Warren Eagles, and Kevin Shaw about COVID, Resolve 17 and learning new software, workflows, the latest displays, and the new offerings from the fxphd online university &#8211; plus a spicy cocktail recipe.<\/span><\/p>\n<p><strong>This session was sponsored by fxphd.<\/strong><\/p>\n<p><em>John Montgomery is a VFX artist and producer who co-founded fxphd \u2013 a subscription-based online VFX, post-production, and motion graphics training program with over 250 courses \u2013 and fxguide \u2013 a visual effects and post-production community website and podcast VFXshow.<\/em>[\/vc_column_text]<div class=\"ult-spacer spacer-69ddaecec2d24\" data-id=\"69ddaecec2d24\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_video link=&#8221;https:\/\/vimeo.com\/494710607\/67d87569bc&#8221; align=&#8221;center&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h3><strong>How to: build your own boutique post house<\/strong><\/h3>\n<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;In this session, Juan Cabrera shares his experience building a Boutique color studio from the ground-up. Juan has worked on some of Hollywood's biggest tentpole movies and has built his facility around a 'Boutique Facility tree structure' that he shares here. The topics discussed include working for Netflix, the kit he uses and how he competes against the big Post Houses in Los Angeles.\\nSee and download Juan's awesome mindmap here &gt;\\n\\nJuan runs his own Color Boutique: LightBender in Santa Monica, California. He has over 15 years of experience as a colorist both in Europe and in the US. He won two AIS awards for his work as Stereographer on Star Wars: The Force Awakens, and has been nominated for an HPA Color award for the show The Alienist: Angel of Darkness. He has delivered features and TV shows for Hulu, Amazon, Sony, and Paramount to name a few. He often works with emerging technologies, being one of the pioneers of the new wave of digital Stereography over 10 years ago, and working in HDR for the last 3 years.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:1061633,&quot;3&quot;:{&quot;1&quot;:0},&quot;11&quot;:4,&quot;12&quot;:0,&quot;15&quot;:&quot;Montserrat&quot;,&quot;16&quot;:10,&quot;23&quot;:1}\" data-sheets-textstyleruns=\"{&quot;1&quot;:0}\uee10[null,429,{&quot;2&quot;:[null,2,0]}]\uee10[null,430,{&quot;2&quot;:[null,2,1136076],&quot;9&quot;:1}]\uee10{&quot;1&quot;:436}\uee10[null,437,{&quot;6&quot;:1}]\" data-sheets-hyperlinkruns=\"[null,429,&quot;https:\/\/icolorist.com\/post-house-blueprint\/&quot;]\uee10{&quot;1&quot;:435}\">In this session, Juan Cabrera shares his experience building a Boutique color studio from the ground-up. Juan has worked on some of Hollywood&#8217;s biggest tentpole movies and has built his facility around a &#8216;Boutique Facility tree structure&#8217; that he shares here. The topics discussed include working for Netflix, the kit he uses and how he competes against the big Post Houses in Los Angeles. See and download Juan&#8217;s awesome mindmap <a class=\"in-cell-link\" href=\"https:\/\/icolorist.com\/post-house-blueprint\/\" target=\"_blank\" rel=\"noopener noreferrer\">here <\/a>&gt;<\/span><\/p>\n<p><em>Juan runs his own Color Boutique: LightBender in Santa Monica, California. He won two AIS awards for his work as Stereographer on Star Wars: The Force Awakens, and has been nominated for an HPA Color award for the show The Alienist: Angel of Darkness. He often works with emerging technologies, being one of the pioneers of the new wave of digital Stereography over 10 years ago, and working in HDR for the last 3 years.<\/em>[\/vc_column_text]<div class=\"ult-spacer spacer-69ddaecec2d2b\" data-id=\"69ddaecec2d2b\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_video link=&#8221;https:\/\/vimeo.com\/493651622\/766ed526f8&#8243; align=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row][vc_column]<div class=\"ult-spacer spacer-69ddaecec2d30\" data-id=\"69ddaecec2d30\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div><div class=\"hr-thin style-line\" style=\"width: 100%;border-color: #cccccc;border-top-width: 2px;\"><\/div><div class=\"ult-spacer spacer-69ddaecec2d39\" data-id=\"69ddaecec2d39\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h3><strong>Australia-New Zealand chapter\u00a0of Colorist Society International<\/strong><\/h3>\n<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;The Australia-New Zealand chapter of Colorist Society International discusses why it decided to form and what's different 'Down Under'. CSI ANZ members Jarryd Hall CSI, Deirdre McClelland CSI, Luciano Marigo-Spitaleri CSI, and Warren Eagles CSI discuss coloring down under, showcase some recent work and talk about how CSI members can start their own local Chapter.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:1061633,&quot;3&quot;:{&quot;1&quot;:0},&quot;11&quot;:4,&quot;12&quot;:0,&quot;15&quot;:&quot;Montserrat&quot;,&quot;16&quot;:10,&quot;23&quot;:1}\" data-sheets-textstyleruns=\"{&quot;1&quot;:0}\uee10[null,227,{&quot;2&quot;:[null,2,1136076],&quot;9&quot;:1}]\uee10{&quot;1&quot;:240}\" data-sheets-hyperlinkruns=\"[null,227,&quot;https:\/\/icolorist.com\/instructors\/warren-eagles\/&quot;]\uee10{&quot;1&quot;:240}\">ANZ&#8217;s CSI chapter discusses why it decided to form and what&#8217;s different &#8216;Down Under&#8217;. CSI ANZ members Jarryd Hall CSI, Deirdre McClelland CSI, Luciano Marigo-Spitaleri CSI, and <a class=\"in-cell-link\" href=\"https:\/\/icolorist.com\/instructors\/warren-eagles\/\" target=\"_blank\" rel=\"noopener noreferrer\">Warren Eagles<\/a> CSI discuss coloring down under, showcase some recent work and talk about how CSI members can start their own local Chapter.<\/span>[\/vc_column_text]<div class=\"ult-spacer spacer-69ddaecec2d3e\" data-id=\"69ddaecec2d3e\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_video link=&#8221;https:\/\/vimeo.com\/493835588\/7339b191b4&#8243; align=&#8221;center&#8221;]<div class=\"ult-spacer spacer-69ddaecec2d42\" data-id=\"69ddaecec2d42\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-05b9408e44ab17ec139314b5905588d1.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-05b9408e44ab17ec139314b5905588d1 > i {\n  margin-right: 8px;\n}<\/style><div class=\"btn-align-center\"><a href=\"https:\/\/coloristsociety.com\/Join-the-Colorist-Society?utm_source=ICA%20website&amp;utm_medium=backlink&amp;utm_campaign=Mixer%20page\" class=\"default-btn-shortcode dt-btn dt-btn-m link-hover-off \" id=\"default-btn-05b9408e44ab17ec139314b5905588d1\"><span>Join CSI<\/span><\/a><\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h3><strong>ASUS HDR Monitors &amp; tech<\/strong><\/h3>\n<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Kevin Shaw and Asus ProArt Display Product Director Nicky Lin discuss display technologies, including the latest in HDR, and explain the ASUS ProArt range.\\n\\nThis session was sponsored by ASUS.\\n\\nSee Kevin unboxing the latest ASUS ProArt PA27UCX-K monitor here &gt;&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:1061633,&quot;3&quot;:{&quot;1&quot;:0},&quot;11&quot;:4,&quot;12&quot;:0,&quot;15&quot;:&quot;Montserrat&quot;,&quot;16&quot;:10,&quot;23&quot;:1}\" data-sheets-textstyleruns=\"[null,0,{&quot;2&quot;:[null,2,1136076],&quot;9&quot;:1}]\uee10{&quot;1&quot;:10}\uee10[null,222,{&quot;2&quot;:[null,2,0]}]\uee10[null,254,{&quot;2&quot;:[null,2,1136076],&quot;9&quot;:1}]\" data-sheets-hyperlinkruns=\"[null,0,&quot;https:\/\/icolorist.com\/instructors\/kevin-shaw\/&quot;]\uee10{&quot;1&quot;:10}\uee10[null,222,&quot;https:\/\/icolorist.com\/unboxing-the-asus-proart-pa27ucx-k-monitor\/&quot;]\uee10{&quot;1&quot;:258}\"><a class=\"in-cell-link\" href=\"https:\/\/icolorist.com\/instructors\/kevin-shaw\/\" target=\"_blank\" rel=\"noopener noreferrer\">Kevin Shaw<\/a> and Asus ProArt Display Product Director Nicky Lin discuss display technologies, including the latest in HDR, and explain the ASUS ProArt range.<\/span><\/p>\n<p><strong>This session was sponsored by ASUS.<\/strong><\/p>\n<p><em>See Kevin unboxing the latest <a class=\"in-cell-link\" href=\"https:\/\/icolorist.com\/unboxing-the-asus-proart-pa27ucx-k-monitor\/\" target=\"_blank\" rel=\"noopener noreferrer\">ASUS ProArt PA27UCX-K monitor <\/a><a class=\"in-cell-link\" href=\"https:\/\/icolorist.com\/unboxing-the-asus-proart-pa27ucx-k-monitor\/\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a> &gt;<\/em>[\/vc_column_text]<div class=\"ult-spacer spacer-69ddaecec2d7c\" data-id=\"69ddaecec2d7c\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_video link=&#8221;https:\/\/vimeo.com\/494158520\/28381a5052&#8243; align=&#8221;center&#8221;]<div class=\"ult-spacer spacer-69ddaecec2d80\" data-id=\"69ddaecec2d80\" data-height=\"12\" data-height-mobile=\"12\" data-height-tab=\"12\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-180d5b4dcb42c49d65f14f1f5b449324.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-180d5b4dcb42c49d65f14f1f5b449324 > i {\n  margin-right: 8px;\n}<\/style><div class=\"btn-align-center\"><a href=\"https:\/\/www.fxphd.com\/product\/introduction-to-hdr\/\" class=\"default-btn-shortcode dt-btn dt-btn-m link-hover-off \" id=\"default-btn-180d5b4dcb42c49d65f14f1f5b449324\"><span>Take a course on HDR<\/span><\/a><\/div>[\/vc_column][\/vc_row][vc_row][vc_column]<div class=\"ult-spacer spacer-69ddaecec2daa\" data-id=\"69ddaecec2daa\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div><div class=\"hr-thin style-line\" style=\"width: 100%;border-color: #cccccc;border-top-width: 2px;\"><\/div><div class=\"ult-spacer spacer-69ddaecec2db2\" data-id=\"69ddaecec2db2\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;58345&#8243; onclick=&#8221;custom_link&#8221; link=&#8221;https:\/\/icolorist.com\/watch-vegas-colorist-mixer-talks\/&#8221;][\/vc_column][vc_column width=&#8221;3\/4&#8243;]<div class=\"ult-spacer spacer-69ddaecec2db6\" data-id=\"69ddaecec2db6\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text]<\/p>\n<h3><a href=\"https:\/\/icolorist.com\/watch-vegas-colorist-mixer-talks\/https:\/\/icolorist.com\/watch-vegas-colorist-mixer-talks\/\">Watch recordings from April 2021 <em>Virtually Vegas<\/em> Mixer &gt;<\/a><\/h3>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column]<div class=\"ult-spacer spacer-69ddaecec2db9\" data-id=\"69ddaecec2db9\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div><div class=\"hr-thin style-line\" style=\"width: 100%;border-color: #cccccc;border-top-width: 2px;\"><\/div><div class=\"ult-spacer spacer-69ddaecec2dc0\" data-id=\"69ddaecec2dc0\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Watch sessions on color grading tips, HDR, calibration, monitors &#038; displays, colorists\u2019 fees, updates on the latest tech, color science, restoration, filmmaking, camera technology, Women in Film, the Representation of People of Color in Post and more.<\/p>\n","protected":false},"author":11,"featured_media":58303,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,193,191,237],"tags":[306,667,240,17,19,20,665,170,27,664,339,662,36,453,351,41,43,658,450,659,656,660,243,666,52,54,262,245,663,56,335,64,668,661,76,655,201,366,94,99,454,120,334],"class_list":["post-58341","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","category-tips-tricks","category-videos","category-webinars","tag-abelcine","tag-amazon","tag-asus","tag-blake-jones","tag-calibration","tag-camera","tag-charging","tag-cinematography","tag-color-grading","tag-color-science","tag-colorists","tag-david-catt","tag-davinci-resolve","tag-dell","tag-diego-yhama","tag-displays","tag-dolby","tag-eclipse-tech","tag-english","tag-filmconvert","tag-filmmaking","tag-filmworkz","tag-flanders-scientific","tag-francisco-ramos","tag-fxphd","tag-grading","tag-grading-a-feature-film","tag-grading-a-movie","tag-gregg-loewen","tag-hdr","tag-jeff-greenberg","tag-kevin-shaw","tag-look-up-tables","tag-mixing-light","tag-monitoring","tag-monitors","tag-netflix","tag-red-giant","tag-remote-grading","tag-restoration","tag-sgo","tag-warren-eagles","tag-yuki-ariandi","category-2","category-193","category-191","category-237","description-off"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/posts\/58341","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/comments?post=58341"}],"version-history":[{"count":8,"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/posts\/58341\/revisions"}],"predecessor-version":[{"id":58586,"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/posts\/58341\/revisions\/58586"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/media\/58303"}],"wp:attachment":[{"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/media?parent=58341"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/categories?post=58341"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/tags?post=58341"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}