{"id":455,"date":"2012-01-30T00:50:36","date_gmt":"2012-01-30T00:50:36","guid":{"rendered":"https:\/\/icolorist.com\/?p=455"},"modified":"2021-02-08T23:24:43","modified_gmt":"2021-02-08T23:24:43","slug":"455","status":"publish","type":"post","link":"https:\/\/icolorist.com\/455\/","title":{"rendered":"2012 Oscar Nominations"},"content":{"rendered":"<p>Last year many people contributed to our colorist slant on the Oscar nominations for best picture. It made interesting reading and we have done the same again this year, with the inclusion of Best Cinematography to round the list up to 10.<\/p>\n<p>Thanks to everyone that replied here, privately, on the TIG and on the CML and congratulations to all the colorists involved. It makes interesting reading, and you can draw your own conclusions. I doubt anyone would claim it is an accurate picture of the whole industry today though.<\/p>\n<h3>2012 Best Picture Nominations:<\/h3>\n<p><strong>THE ARTIST<\/strong> \u2026.. 35mm Film Kodak<br \/>\nRichard Deusy\u2026..Lustre\u2026..DuboiColor\u2026..Paris<br \/>\n(conformed with B\/W LUTs on Scratch)<\/p>\n<p><strong>THE DESCENDANTS<\/strong> \u2026.. 35mm Film Kodak<br \/>\nJoe Finley\u2026.. Resolve\u2026.. Modern Video Film\u2026..Los Angeles<\/p>\n<p><strong>EXTREMELY LOUD &amp; INCREDIBLY CLOSE<\/strong> \u2026.. Arri Alexa<br \/>\nStefan Sonnenfeld\u2026..Resolve\u2026.. Company 3\u2026.. Los Angeles<\/p>\n<p><strong>THE HELP<\/strong> \u2026.. 35mm Film Kodak<br \/>\nSteve Scott\u2026..Lustre\u2026.. Efilm \u2026.. Los Angeles<\/p>\n<p><strong>HUGO<\/strong> \u2026.. Arri Alexa (3D)<br \/>\nGreg Fisher\u2026.. Baselight 8 \u2026..Digilab Services and Cameron Pace Group\u2026.. London\/ New York<\/p>\n<p><strong>MIDNIGHT IN PARIS<\/strong> \u2026.. 35mm Film Kodak<br \/>\nJoe Gawler \u2026..Lustre\u2026.. Deluxe\u2026.. New York<\/p>\n<p><strong>MONEYBALL<\/strong> \u2026.. 35mm Film Kodak<br \/>\nSteve Bowen \u2026.. Baselight 8 \u2026.. Sony Pictures Colorworks \u2026.. Los Angeles<\/p>\n<p><strong>THE TREE OF LIFE<\/strong> \u2026.. 35\/65mm Film Kodak, Red One<br \/>\nBryan McMahan\/Steve Scott\u2026..Baselight 8\/Lustre \u2026.. Kodak\/LaserPacific\/HIG\/Efilm\u2026.. Los Angeles<\/p>\n<p><strong>WAR HORSE<\/strong> \u2026.. 35mm Film Kodak<br \/>\nYvan Lucas \u2026..Lustre\u2026.. Efilm\u2026.. Los Angeles<\/p>\n<h3>2012 Best Cinematography Nominations (if not included above):<\/h3>\n<p><strong>The Girl With The Dragon Tattoo<\/strong>\u00a0\u2026.. Red Epic\/ One<br \/>\nIan Vertovec \u2026.. Pablo\u2026.. Light Iron\u2026.. Los Angeles<\/p>\n<p>Steve Scott is the only colorist to gain two entries. The nominations this year include more film origination than last year (7\/10 entries). Of the digital cameras Arri Alexa has 2 entries and Red the other one. Lustre is the dominant grading system (5\/10 entries). And Los Angeles is unsurprisingly the best place o be (7\/10 entries)<\/p>\n<p><a title=\"2011 Oscars for Best Picture: Who Graded Them?\" href=\"https:\/\/icolorist.com\/?p=458\">Last years results are here\u2026<\/a><\/p>\n<p>Kudos to all involved<\/p>\n<p>Happy Coloring, Kevin<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Last year many people contributed to our colorist slant on the Oscar nominations for best picture. It made interesting reading and we have done the same again this year, with the inclusion of Best Cinematography to round the list up to 10. Thanks to everyone that replied here, privately, on the TIG and on the&hellip;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[10,12,20,47,54,69,85,92,95],"class_list":["post-455","post","type-post","status-publish","format-standard","hentry","category-blog","tag-arri","tag-awards","tag-camera","tag-film","tag-grading","tag-los-angeles","tag-oscars","tag-red","tag-resolve","category-2","description-off"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/posts\/455","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/comments?post=455"}],"version-history":[{"count":1,"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/posts\/455\/revisions"}],"predecessor-version":[{"id":58086,"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/posts\/455\/revisions\/58086"}],"wp:attachment":[{"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/media?parent=455"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/categories?post=455"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/tags?post=455"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}