{"id":4018,"date":"2017-02-25T11:14:24","date_gmt":"2017-02-25T11:14:24","guid":{"rendered":"https:\/\/icolorist.com\/?p=4018"},"modified":"2021-02-08T23:23:12","modified_gmt":"2021-02-08T23:23:12","slug":"2017-oscar-nomination-colorists","status":"publish","type":"post","link":"https:\/\/icolorist.com\/2017-oscar-nomination-colorists\/","title":{"rendered":"2017 Oscar Nomination Colorists"},"content":{"rendered":"

In conjunction with Colorist Society International<\/a>, we are bringing back our search for the colorists on the Oscar nominations. Yes, their credits are buried down at the bottom of the endcrawl, and no, they probably won’t get a mention in any of the acceptance speeches, but you know they (and often their team) watched every frame of these movies and made them better. So congratulations to all the colorists…<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
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Category<\/strong><\/h3>\n<\/td>\n

\n

Film<\/strong><\/h3>\n<\/td>\n

\n

Source<\/strong><\/h3>\n<\/td>\n

\n

Colorist<\/strong><\/h3>\n<\/td>\n

\n

System<\/strong><\/h3>\n<\/td>\n

\n

Company<\/strong><\/h3>\n<\/td>\n

\n

Location<\/strong><\/h3>\n<\/td>\n<\/tr>\n

<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Best Picture<\/td>\nArrival<\/strong><\/td>\nArri Alexa<\/td>\nJoe Gawler<\/strong><\/td>\nResolve<\/td>\nHarbor Picture Company<\/td>\nNew York<\/td>\n<\/tr>\n
Best Picture<\/td>\nFences<\/strong><\/td>\nFilm 35mm anamorphic<\/td>\nMichael Hatzer<\/strong><\/td>\nLustre\/ Nucoda<\/td>\nTechnicolor<\/td>\nLos Angeles<\/td>\n<\/tr>\n
Best Picture<\/td>\nHacksaw Ridge<\/strong><\/td>\nArri Alexa\/ Red Dragon\/BMDPocket<\/td>\nTrish Cahill<\/strong><\/td>\nBaselight<\/td>\nDeluxe<\/td>\nSydney<\/td>\n<\/tr>\n
Best Picture<\/td>\nHell or High Water<\/strong><\/td>\nArri Alexa<\/td>\nCorinne Bogdanowicz<\/strong><\/td>\nRio<\/td>\nLight Iron<\/td>\nLos Angeles<\/td>\n<\/tr>\n
Best Picture<\/td>\nHidden Figures<\/strong><\/td>\nFilm Kodak<\/td>\nNatasha Leonnet<\/strong><\/td>\nLustre<\/td>\nEfilm<\/td>\nLos Angeles<\/td>\n<\/tr>\n
Best Picture<\/td>\nLa La Land<\/strong><\/td>\nFilm Vision 3<\/td>\nNatasha Leonnet<\/strong><\/td>\nLustre<\/td>\nEfilm<\/td>\nLos Angeles<\/td>\n<\/tr>\n
Best Picture<\/td>\nLion<\/strong><\/td>\n\u00a0Arri Alexa XT\/ Red Dragon<\/td>\nOlivier Fontenay<\/strong><\/td>\nBaselight<\/td>\nDeluxe<\/td>\nSydney<\/td>\n<\/tr>\n
Best Picture<\/td>\nManchester by the Sea<\/strong><\/td>\n\u00a0Arri Alexa<\/td>\nJack Lewars<\/strong><\/td>\nLustre<\/td>\nTechnicolor<\/td>\nNew York<\/td>\n<\/tr>\n
Best Picture<\/td>\nMoonlight<\/strong><\/td>\n\u00a0Arri Alexa<\/td>\nAlex Bickel<\/strong><\/td>\n\u00a0Resolve<\/td>\nColor Collective<\/td>\nNew York<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cinematography<\/td>\nSilence<\/strong><\/td>\nKodak Vision 3 35mm\/ Arri Alexa<\/td>\nTim Stipan<\/strong><\/td>\nResolve<\/td>\nCompany 3<\/td>\nNew York<\/td>\n<\/tr>\n
Cinematography<\/td>\nArrival<\/strong><\/td>\nArri Alexa<\/td>\nJoe Gawler<\/strong><\/td>\nResolve<\/td>\nHarbor Picture Company<\/td>\nNew York<\/td>\n<\/tr>\n
Cinematography<\/td>\nLa La Land<\/strong><\/td>\nFilm\u00a0Vision 3<\/td>\nNatasha Leonnet<\/strong><\/td>\nLustre<\/td>\nEfilm<\/td>\nLos Angeles<\/td>\n<\/tr>\n
Cinematography<\/td>\nLion<\/strong><\/td>\nAlexa XT\/ Red Dragon<\/td>\nOlivier Fontenay<\/strong><\/td>\nBaselight<\/td>\nDeluxe<\/td>\nSydney<\/td>\n<\/tr>\n
Cinematography<\/td>\nMoonlight<\/strong><\/td>\n\u00a0Arri Alexa<\/td>\nAlex Bickel<\/strong><\/td>\nResolve<\/td>\nColor Collective<\/td>\nNew York<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

We ran this list in 2011<\/a> and 2012<\/a>. A special mention for Joe Gawler and Tim Stipan whose names were in the earlier lists as well as this years.<\/p>\n","protected":false},"excerpt":{"rendered":"

In conjunction with Colorist Society International, we are bringing back our search for the colorists on the Oscar nominations. Yes, their credits are buried down at the bottom of the endcrawl, and no, they probably won’t get a mention in any of the acceptance speeches, but you know they (and often their team) watched every…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[12,85],"class_list":["post-4018","post","type-post","status-publish","format-standard","hentry","category-blog","tag-awards","tag-oscars","category-2","description-off"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/posts\/4018","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/comments?post=4018"}],"version-history":[{"count":2,"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/posts\/4018\/revisions"}],"predecessor-version":[{"id":58050,"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/posts\/4018\/revisions\/58050"}],"wp:attachment":[{"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/media?parent=4018"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/categories?post=4018"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/icolorist.com\/wp-json\/wp\/v2\/tags?post=4018"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}