{"id":18578,"date":"2020-10-16T23:09:30","date_gmt":"2020-10-16T23:09:30","guid":{"rendered":"https:\/\/icolorist.com\/course\/ca101-an-introduction-to-aces\/"},"modified":"2021-07-19T22:57:34","modified_gmt":"2021-07-19T22:57:34","slug":"ct211-aces-essentials","status":"publish","type":"course","link":"https:\/\/icolorist.com\/course\/ct211-aces-essentials\/","title":{"rendered":"CT211: ACES Essentials"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Spanish language version of this course available. Click here for details.<\/em><\/a><\/p>\n

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[\/vc_column_text][vc_column_text]Learn the theory and practice of ACES developed by the Science and Technology Council (STC) of the Academy of Motion Picture Arts & Sciences (AMPAS). See how ACES is set to improve and simplify post-production workflow, restore and preserve current motion picture assets, and create a standard that is ready for future technologies.<\/p>\n

This class is suitable for experienced cinematographers, DITs, post production professionals and supervisors. It assumes a basic knowledge of post production techniques but no previous color science knowledge is needed. Netflix and many VFX departments prefer ACES, find out why.<\/p>\n

Includes how ACES is best applied to the DI pipeline from on set to TV set and how it aids CGI\/VFX integration. Learn to use input transforms (IDT), output transforms (ODT) and how to create your own ACES LUTs<\/p>\n

A basic understanding of post production techniques is expected but no previous color science knowledge is required. Resolve will be used for demonstration but information applies to any ACES compliant software.<\/p>\n

See a list of upcoming classes<\/a><\/strong><\/p>\n

You Will Learn<\/h3>\n
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  • What is ACES?<\/li>\n
  • About input transforms (IDT) to bring different cameras into ACES.<\/li>\n
  • The four key colour transforms: IDT, LMT, RRT, and ODT.<\/li>\n
  • Using ACES in the DI pipeline, and how it aids CGI\/VFX integration.<\/li>\n
  • ACES AP0 and AP1 color spaces and when to use them<\/li>\n
  • About output transforms for different displays and deliveries<\/li>\n
  • Setting up ACES projects in Resolve<\/li>\n
  • ACES for HDR<\/li>\n
  • ACES and archiving<\/li>\n
  • ACES vs other color managed workflows<\/li>\n<\/ul>\n
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